27 July, 2014

Scenes from the Mother of Waters/ Sky to Centre

Scenes from the Mother of Waters/ Sky to Centre:
By Sierra Miller/Kyle Chong



Scene I: First Impressions
It's been almost a week of
White.  Blue.   Brown.  Green.  Orange. 
Innumerable shades.
But today, just white, white, never ending white
Black shadows, nature arguing
Trees strongly holding their quivering ground against the howls
Snow dragged into contact
Pressured and carried by the wind, dappling and smacking the branches to the roots
Runoff gurgling in the parking lot, the meeting of nature and concrete, 
Waterfalls cascading and tripping down old warped steps
Walls of snow, sculpted by footprints
Hurried paces to and fro on a clock
Languid steps.  Stop. Go. Slow. Don't trip.
And then a full pause.
A huge breath, filling the soft silence with warm air.
Wonder. 
Dark nights with bright skies.
So many shades of white and blue and black and shadow and light
It all glows before me
Past present future
Black White Blue

Scene II: Cloud line Wanderings
A winter wonderland?
There’s a lustrous blanket of snow

With a thin sheet of slush 
Layers and layers 
Patterns of dirt and twisted trees 
Swirled and sculpted
Little windows to peak through to the end of the earth

All is fog
All is still
All is full

The cold slowly simpers away
The red on my cheeks remains
Not from an icy chill, 
But from a glow

The trees are gnarled
Bent and droopy brown, brown,
But green pushes through,
Shades and shades

Black and white
To brown and brown
To green and grey
To orange and old bark
To wisps and glimmers

Haunted with the shadows of trees bent towards salvation?
Or full of relentless life, striving for growth,
And knowing,
Always knowing that the sun is coming?

It's not desolate or deserted
It’s living and contorted
It’s breathing and changing
It’s the hope of summers embrace,
After winter's icy kiss.

The silence isn't empty
It’s a promise
It's a story
It's a feast for the eyes,
And a crowbar to the mind
Which wanders and wanders,
As my feet carry me through
This summer's winter wonderland.

Scene III: A Change in Elevation
The lower you go, the warmer the air, and the sweeter the green
The higher you go, the crisper the cold, and the purer the silver.
Then a valley.
And they meet:
Blue mountain and golden green hill.
Sitting next to each other,
Like brothers, children of different times with symptoms of different seasons.
Fingers clasped,
Joined by the same waters flowing through their veins,
Forced apart by glaciers and rocks tumbling down
Like a line of dominos, or a fallen block tower
Little balls of dried out playdoh
To be meshed and mixed through time
Forming new golden hills, shaping and wearing mountains a true blue.

Yet these mountains are old:
Hear their age in the creak of their step, 
See the crumbling crowfeet and wrinkles of avalanches down their face,
Feel the wisps of white circling their crowns,
Smell the old rains in the arthritic trees growing mossy at their feet,
Which proudly show all their knobs and knots and twists, 
And stand tall to face the sun.

But the mountain remakes and relives and revives and regrows and changes.
The young spirit of a petulant child, showing its power
The old wisdom of a faithful mountain
Towering over valleys and cities, waiting behind trees and clouds
Always there, always watching, always knowing what we only gape at,
The secrets of its golden hills and blue peaks.



Scene IV: Nisqually
All that power
It carves, It craves, It caves, It rages

All that water
It rushes, It hushes, It hustles, It rustles

I stand on this ridge and look down at the remains of rock falls and
Trees yearning to the wide gaping hole.
A cavern, a violent path of water
Destruction.
Creation.
Never mutually exclusive, like two Siamese twins connected for always and after.

A tree falls in the woods, if no one is there to hear it, did it make a sound?
Too bad it doesn't matter, because it’s neither an ending nor beginning
It’s the turning of the page, the echo of it hitting the ground is only the whisper of the motion.
Not even the page, but a page, in one of an infinity of books, all being read simultaneously.

And who cares about books, thought the avid reader, as she stood on this ledge,
Staring down, down, down, to what looks like a small little stream, 
but is actually thousands upon millions upon billions upon infinite drops of water
Rushing, hushing, hustling, and rustling down,
Carving, craving, caving, and raging on and upon this mountain.

This mountain that is so old, and so powerful,
That can erupt in ash and fire, stew in steam and lava, and rest in serenity.
So volatile.
So violent.
So vicious.

Yet,
So sacred
So constant
So peaceful
So mesmerizing.

That river streams down from glaciers to snow, to mountain rock, to gorge, to valley, to muddy river banks
Waterfalls everywhere.
Water falls everywhere.
The constant roaring, and whispering.
Little trickles catching the golden flakes of the sun, twinkling and gurgling in the light
And then a foot steps in and catches the slippery mossy rocks glowing within.

Just a bit up, it no longer is the contented dance of water flakes, it’s the pounding of a powerful and uncontrollable river, shaking and shaping everything it passes
Turning dense walls of stone, to melted piles with smoothed edges.
Better to be go with the flow than stand your ground.  
Even after defying the water for ages, it’s beaten down.

The power of that muddy trickle, so very far away
It stretches forever, for all miles and all days.
It carves, witling new designs across the fire breathing mountain and below.

Scene V: Reflections
When the water is calm, the mountain gazes down on itself, while a perfect reflection stares up
But I’ve never seen the perfect looking glass, just ripples and waves, casting their mark on the mountain.
The outline is there, 
The colors swirling, the trees that dot its foothills and the shore.
I find it better than seeing the perfect reflection every day, 
The ripples show every facet, every potential, every possibility, the way
 A perfect image
 A perfect likeness
 And perfection
   Cannot. 

27 June, 2014

Project Description/ Our Exec. Team Picture
By The Thousand Words Staff

It's our project description in a thousand words with a picture, exactly like our pieces from the site! 

Welcome.
Here’s the short version:
We want to create a website/ social media platform, mobile app, and a published book that celebrates the collaboration of photographers and writers as they explore the question “is a picture worth a thousand words”? We think we can do this in an environmentally conscious, inclusive and creative community where writers and photographers collaborate to make mixed media art and explore their creative potential. We hope to inspire something in someone, somewhere. This is a threefold commitment to our future: our art, our youth and our planet.
Now, here’s the long version:
You’ll see this question a lot (probably from us): is a picture worth a thousand words?
We think yes. We want to bring photography and writing together, and create a place for people to tell their stories together as mixed media in the form of a photograph and one thousand words on a living website and mobile app that will make fine art photography and creative writing accessible and participatory. Our mission is to unleash the combined creativity of photographers and writers and create community from this collaboration of creatives.
It’ll be telling the story of two individual artists, inspired by each other. We have a vision for a place where photographers and writers can put their work into a social media platform where it will thrive and be celebrated. We think that this collision of artists will allow everyone to have access to ways to tell old ideas better, or come up with something new altogether. That’s art as social justice! We’ve already started building the foundations of this community, and the response has been overwhelmingly positive and supportive.
So what will this look like? 
A social media platform and print publication where artists explore the connection between an image, and a thousand words. As a social media platform, we want to create a virtual community through a living website and a mobile app to let the community get their work into the public space while receiving feedback from other creatives. It will be community based artistic collaboration that can be both local and global. Then, we will publish a book containing the best of the site as decided by the community, to give our creators the chance at publication and start something that could open doors for someone. 
That may not sound like much, but most of the writers and photographers that we’ve worked with over the last year have been young. They all are curious to see how far they can take their refined or newfound creative talents into their futures. We want to provide a place for these people to let their creativity explode and learn from others in the process. And, honestly, how cool is it to be published in book? It’s opportunities like this that can inspire futures, careers and passions. 
Now, here’s why we need funding.
We’ve relied on donations for the last year, averaging about $1, each. We know that people are into this idea, but now we need a kickstart (see what we did there?) to get this project off the ground. We need funding to create and design the website and the app. The site we have now is only a temporary space to house the work we’ve collected over the past year. We need to get artists and creatives of ALL ages involved from as many places as we can think of. We need to be able to fund the production and publication of a book, which will come sometime after we get the site and app rolling. We want to offer training programmes for new artists, as well. We want to offer them an opportunity to learn the skills to engage in the conversation that is creative writing or fine art photography, skills that will be with them forever. To do this, we need equipment and trainers. 
All this and more go into our startup costs. We are also trying to be a startup with a tiny carbon footprint, so investing in environmentally friendly products such as sustainably sourced and energy efficient materials and technology is essential as we make a threefold commitment to our future: our art, our youth and our planet. 
At this project’s essence, it is: thinking wild, cultivating stories that inspire, and embarking on one heck of an adventure. 
Here are our challenges:
This project is a work in progress, we know we will struggle to publish a book, and we have two competing visions for our project: a social media platform and a publication. We want both, don’t get us wrong, but one may naturally prevail over the other. It’s hard enough selling print media anything these days, it can be tragic to watch publications go digital, but we see the beauty in the accessibility of digital, and we can be an example of this in an iBook, and mobile app. We can always digitally publish to tablet and mobile friendly versions, but it is too early tell exactly which route we’ll commit to, right now.
We know it’s hard to generate that initial buzz of interest, but we think we can tackle this by having a strong (and environmentally friendly) marketing effort, and getting people psyched about being creative. We have the advantage of working in three large metro areas: Seattle, Portland and San Francisco. 
We know that getting word out may be difficult given our digital-first approach to marketing. Why do we do it? It’s because we believe that environmental consciousness should pervade our entire business model, and digital is paperless. We are going to tackle this challenge by supporting local  printing firms that use sustainable and responsible sourcing for their products, and the same is true for our merchandise. It may mean a higher price for us, but we are more than happy to take on that cost so we can have a smaller carbon footprint and also support products made in the USA.
Thanks for your support,

Kyle, Miranda and Claire

03 June, 2014

How do you Think Wild?


Last year, we shared a story called Words That have Changed Me.

We want to know the five word phrases that have inspired you. Tweet us @AGmoonPhoto with #5wordphrases. 

How do you Think Wild?

01 March, 2014

New Reasons/ Oceanic Oasis

New Reasons/ Oceanic Oasis
Mackenzie Fallin (photo by: Kyle Chong)

It was the first thing I ever saw.
I opened my eyes, and all around me there was only you.
I never saw First Light, I never saw the sunrise, sunset, or even your face.
Just your rushing pulses of consciousness, just your touch. 
All over my body, filling my lungs, penetrating my brain.
I only know your touch, but I live to dive deeper, to see in front of me the beginnings of a new pursuit or cause that could give me more of a sensation of gliding, and not falling.
That would be nice, wouldn’t you say? 

In my world, there are horses, lions, leopards, suns, moons, things that fly, hunters, gatherers, scavengers, explorers, wanderers, leaders, attackers, defenders, societies, cultures. 

It’s a scare life down here, and there has always been your touch glazing along my entire body.
Each bubble, and each pulsation, you never know what’s watching you, or even what’s just sniffing you, exploring or even probing you. 

It’s a lonely life down here, and only sometimes you’ll see a wanderer like me, but a lot of the time it’s just you. 
There is a community down here, but it isn’t like anything I’ve seen in a long time.
I used to just compare it to those dark and rainy nights in New York, everyone just minding their own business with their long coats, fedoras, faceless heads.
They never acknowledged you touching them, they just let you go down the drain, back to where you come from, wherever that is.

Most of the time I just see you, but no one.
The rest of the time, I see nothing.
Well, I guess it is everything.
Sometimes, I come across oases like this one, and I see other things that seem like me, but are nothing even remotely like me. 
I see the connections between hell and heaven here, the strands of the devil’s hair reaching for the sky, and your beasts roaming the empty void.

Your touch is shared between then and me. 
I thought we had something special.

But you’re everywhere. 
Everything, and not just to me.
Everyone sees you, and everyone needs you.

They know you give life, like you took mine.
We know that, and we know you are trying to maintain the balance of life down here, but do you think you could show us what it means to breathe air again?
Of course not. How could you? But we still wonder what it might be like up there. I certainly do, even though I came to you to get away from the up there. 
You let the sun fill you everyday, and the moon cool you, I wonder what its like to have no control over yourself, but every control over the things you call home. 

Did you ever notice that?
Of course not. You’re just there — all the time.
But I notice, with every mile I travel in your currents, each swell I am tossed in.
I know when you’re angry, and I know when you’re calm.
But can you control it?

I just notice sometimes because that’s all I can do — notice.
Manhattan is probably so far away now, but everything since looks exactly the same.
I might even be dead, I know I am, at least, to everyone back there. 
Here, I can’t tell anymore. 

But I looked out the last time you took me under, finally brave enough to open my eyes.
I felt your sting, as if you were made of sweat and tears, and I knew that my tears and west build you up, and you use them to break me down.
Into marine snow, and then you drop me, let me fall.

Until then, let’s have a little fun, though.
I noticed you have that way you flick your swell, or the way you let me share your sun sometimes, I really appreciate it. 
You’re so good to me for holding me up when you want me to be warm, and holding me when you want me to be cool.
You let me take what I need, without any expectation of anything in return. 
So thank you, for everything. 

Wait.

This isn’t what I thought jumping off the bridge was supposed to be like. 
I thought it was supposed to be an ending. 
I’m still here, and I love it. 
There’s so much to be here for, so much for us to do, and for me to do with all of your creatures.
I just did what the rain does, fall into your loving embrace.
The rain and I aren’t that different in that respect. 
We both took a leap of faith hoping you had something to tell us to remain for.
Whether down a pipe or off a bridge, we became a part of you, gave you agency over us.

It’s not even that bad here, in fact it’s kind of great. 
Where did you get the idea to just let your creatures play in your shallows, close to the sun?
How did you decide you wanted to massage the grains of sand on your borders?
I want to do this for you, with you, to share if your work, to breathe with you.
But I don’t have gills like one of your beasts. 
You just take me away and put me where you want me. 
Is that what you have in mind for me? 
To let me fit in where convenient, or is there more to it?
That’s for me to decide isn’t it? 
To live with you, but by circumstance?
I can do better than that, and you know it. 

We come to you seeking an escape, but we don’t know what it’ll look like.
Most people think you just swallow us up, but you may just want us to see things differently by giving us time to wonder about you.

It’s crazy to decide I want to swim to shore and start over.
Where am I, it looks like Florida.

02 December, 2013

Calendar MMXIV: Nothing Left Unseen, Nothing Left Unsaid


Introducing the new 2014 Calendar: Nothing Left Unseen, Nothing Left Unsaid.
Proceeds benefit training for artists and writers at the Thousand Words Project.
Designed in California, Made in USA.
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